Let me explain the title a little. "Soupçon" is a French term, the favourite of the chef community. It refers to that special pinch (eh, 'punch', too) which adds a unique flavour to the concoction
Our column, which extends that metaphor, is going to be a cornucopia of 'wise saws' about literature (more the varieties, the better), related fields, humanities and the arts. It would be an immense help for those preparing for the NET/SET/JRF kind of competitive examinations. May be, the aspirants might want me to do much more along these lines. Let us see! Yet, for sure, the not-so-literary, non-specialist reader, too, would enjoy these details!
Soupçon I. v Of love n longing
Shakespeare's answer to the constraining dis-ease and the resultant total closure of the public space was his first ever publication, a pastoral poem of seduction, entitled "Venus and Adonis." It was so widely/wildly circulated, literally 'went viral' even in a period of private circulation, that a lesser known playwright became a sensation absolutely overnight! Given the patronage system prevalent then, the Earl of Southampton to whom it was dedicated, had every reason to feel special.
Actually, this narrative poem, full of pastoral images and symbols, is quite steamy. It sure has its moments of high comedy (such as Adonis' 'horse running after a jennet') and it ends tragically (the lovelorn Venus 'weary of the world, away she hies' as Adonis is gored by a boar). Shakespeare may choose to call it "my unpolisht lines", but the six-line-long iambic pentameter stanza with a quartet (rhyming abab) followed by a couplet (cc) thereafter came to be known as the 'Venus and Adonis' stanza, tried by the 'poet's poet', Spenser.
In Soupçon I. vi, let us explore such tidbits about the other poem Shakespeare attempted around the same time, "The Rape of Lucrece." Suffice it may for the time being to assert that both these long poems echo the structural and thematic patterns of the 'sonnet cycle', much adored across the world.
Pratima Agnihotri Pune
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