Magical Melody

 R. D. Burman! Most of us would associate him with rhythm. In fact, he was called the "rhythm king." No wonder, when the Bhappi Lahiri's who could improvise better on the Western rhythm started to dominate the Bollywood music, R. D. was hugely rejected by the film industry. 

He was at the nadir of his career, nay life itself. Nobody would sign him. If he was signed at all, the songs would not click. His health was deteriorating. Monetary losses stared him in the face. He was all alone, in addition. 

Significantly, during such difficult days, R.D. 're-turned' to melody. Yes, I am referring to his swansong, "1942: A Love Story." All the songs composed by R.D. for this movie are melodious. Magical, however, is "Rim Zim, Rum Zum," right?

The very poem, yes, the song is a poem, is most musically written by Javed Akhtar. There is lovely alliteration, assonance, consonance which are enhanced by the rhyme-n-repetition. Absolute onomatopoeia echoes in literally every line of this soft, gentle song. 

Noticable it is that the accompanying instruments in this song are rarely the percussion types, which otherwise dominate R.D's oeuvre. Instead, here the melody is as soft as the drizzle, as the gentle feel of deep love reflected in this poem through highly lyrical images.

No wonder, come monsoon, on the loop are  "lagi aaj sawan ki phir yeh zadi" , "rim zim kare sawan", AND "rim zim, rim zim, rum zum, rum zum" which captures the ever reviving magic of the monsoon and the tender melody of a blooming love forever blossoming. 

Pratima@ R. D. kabhi marte nahin because the magical melody of such songs shows his soft power! Hence this tribute to him on his birth anniversary.

Quote of the day:                                                           "Melody is the soul of music." So said Mozart. 

Word of the day: Onomatopoeia                                Onomatopoeia is the process of creating or using words that phonetically imitate, resemble, or suggest the sounds they describe. These words bring the lyric to life by engaging the listener's/reader’s senses, making the song/poem more vivid and dynamic.